Wrestling 101: Introduction to the 2019 Wrestling Landscape by Jerry Whitworth
Professional wrestling, a staged live combat-based performance dating back two centuries, has seen its popularity rise and fall over the years. Reaching mainstream media in the 1980s with the rise of Hulkamania, pro wrestling hit its pinnacle in the ’90s during the so-called Monday Night Wars and the World Wrestling Federation’s Attitude Era. After WWF, known today as WWE (E for Entertainment), crushed and consumed its competition in World Championship Wrestling and Extreme Championship Wrestling, the industry in many ways collapsed. The territories that largely fed companies like WWF/E and WCW died and gave way to a circuit that elder statesmen of wrestling consider “backyard wrestling” while WWE reverted back to its kid-friendlier days where Hulk Hogan reigned. Independent promotions such as Total Nonstop Action and Ring of Honor arose to try and fill the void left by the loss of WCW and ECW but they lacked the funding, fanbase, and reach of their predecessors. For nearly two decades, WWE has largely been the end-all, be-all of pro wrestling, though they have abandoned that description in favor of being instead “sports entertainment.” Now, with the emergence of All Elite Wrestling on TNT and its live weekly television series Dynamite, the paradigm is shifting as WWE has its first legitimate competition since the Monday Night Wars. What more, the largest portion of AEW’s audience is made up of new fans, children of fans, and returning fans that gave up on wrestling after the deaths of WCW and ECW. With so many new people and lapsed returning fans, we wanted to offer some insight into what content is readily available to consume.
Posted in Independent Wrestling, Professional Wrestling, World Wrestling Entertainment
Tagged AEW, Impact Wrestling, Jerry Whitworth, Lucha Underground, MLW, New Japan Pro Wrestling, NJPW, NWA, NXT, Ring of Honor, WOW, WWE
Global Expansion: The WWE Invades the World by Jerry Whitworth
In less than a couple of weeks, this year’s WWE United Kingdom Championship Tournament will air on the WWE Network as the company is reportedly moving forward with a UK-based ongoing series to air on its streaming service. While WWE’s aggressive expansion into the UK market was seemingly due to the return of World of Sport on ITV last year (which stalled only to recently get back on track), the UK scene has exploded of late (as has the wrestling industry in general). This is clearly evident by New Japan’s recent announcement of Strong Style Evolved UK N1 which happens only days after WWE airs its UK tournament. New Japan has already expanded its territory into the US in the last year and the UK is its latest bid to become a global brand like WWE. This has led to battle lines being drawn as WWE has made arrangements with UK promotions Insane Championship Wrestling and PROGRESS as well as snagging several of World of Sports’ stars while New Japan has formed an alliance with Revolution Pro Wrestling and prominently features Zack Sabre Jr (who participated in WWE’s inaugural Cruiserweight Classic), Will Ospreay, Marty Scurll, and “British Bulldog” Davey Boy Smith Jr. in its promotion (Ospreay and Smith are also both featured in upcoming episodes of World of Sport). However, these moves could very well only be the opening salvo for a much larger confrontation as WWE tries to bring its Network to every corner of the world and New Japan has been emboldened by its consistent significant growth to try and offer some semblance of competition since WWE consumed WCW and ECW to become the undisputed king of sports entertainment. The question then becomes what country will enter WWE and New Japan’s optics next.
Posted in Professional Wrestling, Wrestling
Tagged AAA, CMLL, Impact Wrestling, Jerry Whitworth, Lucha Underground, New Japan, NJPW, Noah, Ring of Honor, Stardom, TNA, World of Sport, WWE, wXw
Top 10: Indie Cruiserweights for the GCS by Jerry Whitworth
Announced in just the last few weeks, the WWE Network will be hosting the Global Cruiserweight Series, a tournament of wrestlers at or below 205 lbs. beginning July 13th. Featuring 32 entrants from around the world, the event will span ten weeks. Obviously, the combined WWE and NXT roster lacks the pool necessary to fill all 32 slots which means the GCS will be groundbreaking in bringing in freelance, independent performers for a tournament (reminiscent of the Super J Cup and Best of the Super Juniors). WWE will likely supply about fifteen entries, namely Stardust, Kalisto, Neville, Xavier Woods, Tyler Breeze, Austin Aries, Manny Andrade, Sami Zayn, Finn Balor, Hideo Itami, Chad Gable, Enzo Amore, Rich Swann, Christopher Girard, and Johnny Gargano. Thus, the company will require nearly twenty outside wrestlers to fill tourney blocks. There are, of course, limitations. It’s unlikely WWE will be able to secure talent from companies like NJPW, TNA, ROH, and CMLL which are arguably its biggest pro wrestling competitors (albeit distant competitors). However, promotions like Evolve and Chikara could likely supply performers and there may even be a chance of bringing in AAA (who supplies much of Lucha Underground’s roster) as the Mexican promotion is in documented financial problems of late (though, LU agreements might cause issues for making this happen as LU reportedly met with WWE previously to seemingly toxic results). Should AAA (the third biggest wrestling promotion on the planet) become a viable option, this could mean the addition of the likes of Rey Mysterio Jr, Fénix, Pentagón Jr, Drago, El Hijo del Fantasma (King Cuerno on LU), Aero Star, Jack Evans, and Angélico. Lets then take a look at what wrestlers could likely emerge in the GCS.
Wrestling Streaming: The World in the Comfort of Your Home by Jerry Whitworth
In 2014, the wrestling world took a major step into the future. WWE, the world leader in professional wrestling entertainment with a library including the likes of WCW, ECW, AWA, Smoky Mountain Wrestling, Stampede, and more founded the WWE Network. A streaming service for $9.99 a month that will gradually make its vast intellectually owned content available instantly anywhere in the world with an internet connection, the Network was a major undertaking that has placed a great financial burden on the company already undergoing tough times in recent years. Of course, this advent in technology has inspired other companies to follow suit although, interestingly enough, the company’s closest North American competitors have yet to get in line. TNA, formed to fill the vacuum left by the loss of WCW, tried to dip its toe into streaming in an arrangement with YouTube in 2013 with TNA Wrestling Plus for $4.99 a month only to be all but abandoned within two months. Today, TNA has started posting its earliest pay-per-view programs as the Asylum Years for free on YouTube Thursday nights (which started December of last year). It should be noted, WWE entered into a similar agreement to that between TNA and YouTube with the latter’s competitor Hulu Plus in 2012 which continues today despite the formation of the WWE Network (likely, some contractual obligation exists necessitating this duality though Hulu Plus does not air WWE events which are included as part of membership of the Network). As for the United States’ third largest promotion Ring of Honor, for some time they’ve offered their latest weekly television episode streaming for free online and made a portion of their library available on demand on their website for $7.99 a month. Although TNA and ROH at this point don’t seem to be trying to offer their own version of the WWE Network, independent US promotions have been more accepting of the transition.
Posted in Wrestling
Tagged AAA, AAW, AJPW, Beyond, Chikara, CMLL, CZW, Evolve, GFW, House of Hardcore, Jerry Whitworth, Lucha Underground, NJPW, PWG, Ring of Honor, Shimmer, TNA, WWE, WWE Network
Considering the popularity of my introductory post to the Nerdfect Nation, I thought I’d speak on my history with pro wrestling considering it’s such a huge aspect of our content and coverage. I first came into contact with the WWF in its auxiliary ventures, receiving some of the LJN action figures as a youth (an eight-inch rubber Hulk Hogan and some of the thumb wrestlers), watching Hulk Hogan’s Rock ‘n’ Wrestling on TV, playing WWF WrestleMania on the NES, and getting my face painted like the Ultimate Warrior because everyone else was doing it (I always wanted to get a Tonka Wrestling Buddy but they alluded me). The earliest aspect of an actual wrestling program I can recall is my dad leaving it on one night when he fell asleep and I saw Papa Shango put a voodoo curse on Mean Gene Okerlund in 1992 on Superstars which terrified me. I would, however, come back to the product later where I became a big fan of Hakushi (as I was seemingly born into an interest in Eastern martial arts thanks to my father) and where I was introduced to wrestlers like the “Portuguese Man O’ War” Aldo Montoya, 1-2-3 Kid, and Tatanka all of whom in which I also became a fan. A casual viewer at best, Hakushi seemed to appear less as my interest grew in the “Heartbreak Kid” Shawn Michaels. I officially wouldn’t became a fan of wrestling, however, until WrestleMania XII in 1996.
Posted in Bios & Introductions, Wrestling
Tagged Chikara, ECW, Jerry Whitworth, Kaiju Big Battel, Lucha Underground, New Japan, WCW, Wrestling, WWE, WWF