Top 10: Animated Series for Crisis on Infinite Earths by Jerry Whitworth
At the start of December, journalist Matías Lértora claimed that an animated film trilogy was in development adapting Crisis on Infinite Earths featuring the various animated incarnations of DC Comics’ assorted properties. With a history of scoring major scoops far in advance, the news media cycle picked up on the alleged project without any confirmation from Warner Bros. A rather vast concept especially when you begin to consider that live action projects like the Arrowverse/CWverse, which had its own vast Crisis on Infinite Earths, have been animated but there are certainly cartoon universes more likely than others to make it into such an endeavor. Lets take a look at what this undertaking could entail.
What Could Have Been: Super Powers Season Three by Jerry Whitworth
When Star Wars debuted in theaters in 1977, it not only changed cinema but the action figure toy market. The Kenner line of Star Wars gave rise to the collectible action figure market that saw such titans as Hasbro’s G.I. Joe: A Real American Hero and Mattel’s Masters of the Universe emerge. DC Comics, wanting to take advantage of this developing industry, awarded a contract to Kenner to produce what became the Super Powers line. Featuring figures modeled after the DC Comics Style Guide drawn by José Luis García-López, Super Powers became one of the most successful lines of the 1980s. As with other notable brands around this time, Super Powers was promoted via comic books and cartoons. For the latter, Hanna-Barbera resurrected Super Friends that saw veteran Batman voice actor Olan Soule (nearly eighty years old by that point) replaced by Adam West (who famously portrayed the character in the 1960s on television) and abandoned the Alex Toth character models in its second season for that inspired by García-López. Sadly, the action figure market bubble burst in 1986 and the Super Powers toyline died after three waves joined by its animated counterpart after two seasons (sixteen episodes in total). In the ensuing years, we’ve come to learn what future waves of the toyline would have entailed. But, we’ll never know where the cartoon would have went. Lets speculate, then, what could have been.
Filmation vs. Hanna-Barbera: the Golden Age of DC Comics Animation by Jerry Whitworth
With hits like The Flintstones, Jonny Quest, and the Yogi Bear franchise grown from series like The Ruff and Reddy Show and The Huckleberry Hound Show, Hanna-Barbera was a powerhouse in the burgeoning animated television series market. As shows like Atom Ant, Sinbad Jr. and his Magic Belt, Space Ghost, and Frankenstein Jr. and The Impossibles reached airwaves, the studio was quickly making superheroes a popular sight on Saturday mornings. DC Comics, who had previously seen its most popular character Superman animated for theaters in the 1940s and was about to take the nation by storm with the Batman television series, looked to edge into the lucrative market. In the 1950s, Adventures of Superman was a cultural phenomenon derailed by the untimely demise of its star George Reeves. A planned spin-off in the Adventures of Superboy never made it past the pilot but animation looked to be new ground to tread with the brand. Mort Weisinger, Superman editor for DC Comics and story editor for Adventures of Superman, approached young studio Filmation to tackle the project.
As with the last episode, this time we are dealing with fictional countries again as the “Young Justice” showrunners continue worldbuilding. Stand-ins for North and South Korea are North and South Rhelasia, and Red Arrow is there for the negotiations between the two nations. That’s where he stops Cheshire from taking out the new independent arbitrator… Lex Luthor.